蒲松龄路旁搜奇 翻译
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蒲松龄路旁搜奇 解释~
蒲留仙居乡里，落拓无偶，性尤怪诞，为村中童子师以自给，不求于人。其作《聊斋志异》时，每临晨，携一大瓷罂，中贮苦茗，又具淡巴菰一包，置行人大道旁。下陈芦席，坐于上，烟茗置身畔。见行者过，必强执与语，搜奇说异，随人所知。渴则饮以茗，或奉以烟，必令畅谈乃已。偶闻一事，归而润色之。如是二十余年，此书方告成，故笔法超绝。
译文
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
Pusongling, who lived in the countryside, was not ordinary and had a particularly strange and eclectic personality. He made a living teaching village children, but did not depend on others. When he was writing "Strange Stories from a Chinese Studio," he would sit on the roadside every morning with a large porcelain teapot filled with strong tea and a pack of tobacco. He would spread a reed mat on the ground and sit with his tobacco and tea at his side. Whenever a passerby walked by, he would拉住them and talk to them about strange and wonderful things he knew. If the passerby was thirsty, Pusongling would offer them some tea or tobacco, making sure they had a good conversation before they left. Over the course of more than twenty years, he collected many stories this way, and it was this method of collection that led to the exquisite craftsmanship of his writing.
蒲松龄路旁搜奇 翻译视频
相关评论：
蒲留仙居乡里，落拓无偶，性尤怪诞，为村中童子师以自给，不求于人。其作《聊斋志异》时，每临晨，携一大瓷罂，中贮苦茗，又具淡巴菰一包，置行人大道旁。下陈芦席，坐于上，烟茗置身畔。见行者过，必强执与语，搜奇说异，随人所知。渴则饮以茗，或奉以烟，必令畅谈乃已。偶闻一事，归而润色之。如是二十余年，此书方告成，故笔法超绝。
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
在天气炎热的夏季，蒲松龄在树下置一凉席，旁置茶水等解暑之物，路人经过可作歇息。不求报酬，只是请人讲一个故事，可以是身边发生的，也可以是听来的。日复一日，从而搜集了大量的素材，写出了富有传奇色彩的《聊斋志异》。
原文蒲留仙居乡里，落拓无偶，性尤怪诞，为村中童子师以自给，不求于人。其作《聊斋志异》时，每临晨，携一大瓷罂，中贮苦茗，又具淡巴菰一包，置行人大道旁。下陈芦席，坐于上，烟茗置身畔。见行者过，必强执与语，搜奇说异，随人所知。渴则饮以茗，或奉以烟，必令畅谈乃已。偶闻一事，归而润色之。如是二十余年，此书方告成，故笔法超绝。
译文
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
蒲松龄在乡里居住的时候,不流于世俗,性格尤其奇怪放诞,以做村里的小孩的老师来养活自己.他作<聊斋志异>的时候,每天早晨,拿一个大磁罐,里面放着苦茶,又准备了一包烟草,放在过往人多的大路旁.地上放上芦席,坐在上面,烟叶和茶放在身旁.见行人走过,一定强拉着他跟他说话,随他知道什么,谈论些稀奇古怪的事.(行人)渴了蒲松龄就让他喝茶,或者给他奉上烟,一定让他畅快地谈论才罢.偶然听说了一件事,回去之后加工润色.这样过了二十多年,这本书才完成了,所以笔法非常绝妙.
Pusongling, who lived in the countryside, was not ordinary and had a particularly strange and eclectic personality. He made a living teaching village children, but did not depend on others. When he was writing "Strange Stories from a Chinese Studio," he would sit on the roadside every morning with a large porcelain teapot filled with strong tea and a pack of tobacco. He would spread a reed mat on the ground and sit with his tobacco and tea at his side. Whenever a passerby walked by, he would拉住them and talk to them about strange and wonderful things he knew. If the passerby was thirsty, Pusongling would offer them some tea or tobacco, making sure they had a good conversation before they left. Over the course of more than twenty years, he collected many stories this way, and it was this method of collection that led to the exquisite craftsmanship of his writing.
蒲松龄路旁搜奇 翻译视频
相关评论：
